Blocking out the uncomfortable bits
art·@nemo·
0.000 HBDBlocking out the uncomfortable bits
Art *v.* censorship: where is the line? Something about blocking off Renaissance naughty parts just doesn't feel right, yet there's clearly a time when the line becomes blurry and the sacrilegious is not just *acc*epted but *ex*pected.  To save you some googling, it’s *Brujas yendo al Sabbath*, translated as *Witches going to their Sabbath* (or *The Departure of the Witches*, or again, *The Vision of Faust*) by Spanish painter [Luis Ricardo Falero](https://en.wikipedia.org/wiki/Luis_Ricardo_Falero) (1878). Now here’s not only an uncensored version, but an *anti*censored one. You can see everything from all angles ; )  … reminds me of what the Internet once did to French painter William-Adolphe Bouguereau’s *[La Naissance de Vénus](https://en.wikipedia.org/wiki/The_Birth_of_Venus_(Bouguereau))* (*The Birth of Venus*, 1879 -- that's right, painted literally a year after Luis completed the above):  ... or even to Michelangelo's world-renowned *[David](https://en.wikipedia.org/wiki/David_(Michelangelo))* (1501-4):  I posted this on Diaspora [already](https://diasp.org/posts/6048771), but what the heck, let's see if you guys like it here too. None of the ideas or even pieces here are mine (though I did touch up David myself a bit) but putting them together like this is where my contribution lays. I know I'm toeing the line here, but that's what art's all about right? Pushing boundaries? Right? Guys? You guys? Yay, art! Enjoy : )
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