<center>![pen.jpg](https://steemitimages.com/0x0/https://res.cloudinary.com/hpiynhbhq/image/upload/v1521375017/uxgrzfrrgyosvugbb4wu.jpg)</center>
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**I'm now actually writing  and publishing each day one original text around two thousand words or more. Typically much more.**

Yes: there will be more fiction from me on the Steem platform. Very soon. I'll finish the novels and stories I've started serializing on this platform a while back. Yes.

Most of my recent fiction has been sent for print publication. Steem is where I've posted more experimental and Creative Commons fiction that I just just want to share. I'm growing my social media profile.

Writing quickly and not having to edit is a primary skill I suggest. It does require practice.

However first I want to cover severseveral nonfiction topics that I promised to write about last month. 



I think readers will enjoy that.

**And now I have the time. I'd said: as time permits. Time permits. Even though I have even more different projects going on than I had before. Life is paradoxical like that.**

You can get some idea of the topics by seeing the books I'll finally get around to discussing next.

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# TOPICS
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[BOD06] &#160; **Margaret BODEN**, *Mind as machine a history of cognitive science*, 1, 2, Oxford: University Press, 2006.

[DEN87]  &#160; **Daniel DENNETT**, *The intentional stance*, Cambridge: Massachusetts Institute of Technology Press, 1987.

[DEN91]  &#160; **Daniel DENNETT**, *Consciousness explained*, Boston: Little Brown, 1991.

[HUG06] &#160; **Dominic HUGHES**, Proofs without syntax, *Annals of mathematics*, 164(3):1065–1076, 8.2004.

[KIN07] &#160; **David KINNIMENT**, *Synchronization and arbitration in digital systems*, Chichester: Wiley, 2007.

[KIN11] &#160; **David KINNIMENT**, *He who hesitates is lost: decisions and free will in men and machines*, Newcastle: University Press, 2011.

[KUB58] &#160; **Lawrence KUBIE**, *Neurotic distortion of the creative process*, Lawrence: University of Kansas Press, 1958.

[KUB78] &#160; **Lawrence KUBIE**, *Symbol and neurosis*, New York: International Universities, 1978.

[LAM03] &#160; **Leslie LAMPORT**, *Specifying systems*, Boston: Addison Wesley, 2003.

[MEA80] &#160; **Carver MEAD**, **Lynn CONWAY**, *Introduction to very large scale integrated systems*, Reading: Addison Wesley, 1980.

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## ABOUT ME
I'm a scientist who writes fantasy and science fiction under various names.
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The magazines which I currently most recommend:
[*Magazine of fantasy and science fiction*](https://www.sfsite.com/fsf/)
[*Compelling science fiction*](http://compellingsciencefiction.com/)
[*Writers of the future*](http://www.writersofthefuture.com/)
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# <center>&#160; &#160; &#160; &#160; &#160; &#160; #thealliance &#160; &#160; ◕ ‿‿ ◕ つ</center>
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&#160; &#160; &#160; #writing #creativity #science #fiction #creative #novel #publishing
&#160; &#160; &#160; &#160; &#160; &#160; &#160; #thealliance #isleofwrite #thewritersblock #nobidbot #blog
&#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; #technology #scifi #future #history #life #philosophy
&#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; CHECK OUT: @TRIBESTEEMUP &#160; AND &#160; @SMG
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#### <center>&#160; &#160; &#160; Word count: 600 ~ 2 PAGES &#160; | &#160; Revised: 2018.5.25</center>
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# UPVOTE ! &#160;&#160;&#160; FOLLOW !
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©2018 *tibra*. <a rel="license" href="http://creativecommons.org/licenses/by-sa/4.0/"><img alt="Creative Commons License" style="border-width:0" src="https://i.creativecommons.org/l/by-sa/4.0/80x15.png" /></a><br />This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-sa/4.0/">Creative Commons Attribution-ShareAlike 4.0 International License</a>&#160; . . .  &#160; . . . &#160; . . . &#160;&#160;&#160;Text and images: @tibra. @communicate on [minds.com](https://www.minds.com/communicate)

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